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#X obj 158 174 snapshot~;
#X obj 698 132 metro 100;
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#X obj 49 174 snapshot~;
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#X floatatom 49 205 0 0 0 0 - - -;
#X obj 49 118 ftom~;
#X obj 264 174 snapshot~;
#X floatatom 264 205 0 0 0 0 - - -;
#X obj 264 118 dbtorms~;
#X obj 698 58 loadbang;
#X msg 709 88 \; pd dsp 1;
#X obj 49 86 sig~;
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#X obj 158 86 sig~;
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#X obj 264 86 sig~;
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#X obj 492 84 sig~;
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#X obj 383 115 rmstodb~;
#X obj 492 115 dbtopow~;
#X obj 607 115 powtodb~;
#X obj 17 10 mtof~;
#X text 70 11 (etc) - conversions for audio signals;
#X text 60 400 see also:;
#X obj 145 400 mtof;
#X text 192 400 (etc.);
#X text 547 416 updated for Pd version 0.33;
#X text 41 343 Boundary conditions are handled "reasonably". 100 db
is assigned an RMS of 1 \, and dbtorms~ and dbtopow~ output true zero
for 0 dB and less.;
#X text 43 241 These objects convert MIDI pitch to frequency and back
\, and dB to and from RMS and power. They take audio signals as input
and output (and work sample by sample.) Since they call library math
functions \, they may be much more expensive than other workaday tilde
objects such as *~ and osc~ \, depending on your hardware and math
library.;
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