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#X text 462 208 START;
#X floatatom 190 303 0 0 0 0 - - -;
#X obj 190 280 r incr;
#X obj 168 255 metro 50;
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#X obj 168 394 s phase;
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#X obj 12 212 shepvoice 0;
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1;
#X msg 446 225 \; dropoff 10 \; pitch 60 \; interval 120 \; metro 1
\; rev 84 \; revtime 87 \; incr -2 \; pd dsp 1;
#X text 27 7 SHEPARD TONE;
#X text 339 804 updated for Pd version 0.37;
#X obj 12 235 shepvoice 500;
#X obj 12 258 shepvoice 1000;
#X obj 12 281 shepvoice 1500;
#X obj 12 304 shepvoice 2000;
#X obj 12 327 shepvoice 2500;
#X obj 12 350 shepvoice 3000;
#X obj 12 373 shepvoice 3500;
#X obj 12 396 shepvoice 4000;
#X obj 12 419 shepvoice 4500;
#X obj 12 442 shepvoice 5000;
#X obj 12 465 shepvoice 5500;
#X obj 12 488 shepvoice 6000;
#X obj 12 511 shepvoice 6500;
#X obj 12 534 shepvoice 7000;
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#X obj 12 580 shepvoice 8000;
#X obj 12 603 shepvoice 8500;
#X obj 12 626 shepvoice 9000;
#X obj 12 649 shepvoice 9500;
#X text 25 31 This patch is a bank of 20 sinusoids \, arranged so that
their frequencies sweep upward or downward in parallel \, and their
amplitudes fade in and out so that each one is quiet when it wraps
around from one end to the other. The overall "phase" computed here
is added to each voice's relative phase (its creation argument). The
"incr" parameter controls how fast the phase changes \, "dropoff"
the slope at which the amplitudes fall off at the ends \, "pitch" the
center pitch of the cluster \, "interval" the number of (tenths of
halftones) between successive voices \, and "rev" and "revtime" the
reverberator at bottom.;
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